Maine Tourmaline, A Maine Story
An American Gem
First discovered in 1820 and in subsequent finds over the years, these early discoveries put Maine on the world map as a source for high-quality tourmaline gems. A major discovery in 1972 on Plumbago Mountain in Newry, Maine established Maine as a significant world source of fine tourmaline gemstones.
Cross recognized the historical significance of this find and began working closely with the miners of these magnificent gems. The close partnership continues today with the ongoing discoveries in Maine’s western mountains.
100% Natural
We go to Maine’s gem mines. We know the miners. We know the gem cutters. We guarantee our tourmaline to be from Maine and is 100% natural. Cross maintains the largest collection of fine Maine tourmaline jewelry in the world.
Window of Opportunity
Fifty years have passed since the major 1972 tourmaline find in Newry, Maine where they found 3.5 million carats of tourmaline crystals. Over the years we bought more than we sold knowing that gem finds don’t last forever. There are now colors, sizes, and shapes that are extremely rare and, in some cases, no longer available. If you see something you love it’s best to act quickly. There’s no guarantee another gem like this one exists.
Case in point: In 2007 there was a find of tourmaline in Newry, Maine called Eureka Blue. People loved the color. The gems sold quickly, but the find was small and the mining only lasted a few seasons. Within three years of the discovery, all the large Eureka gems had sold. We still get calls from people who are now ready to buy. What they want, however, simply no longer exists from that find in 2007.
Gem finds are rare, especially in North America. Maine tourmaline is a piece of Maine and American history, it’s a connection to a place we all love, an exquisite creation of nature. Today, there is a rare opportunity to own a bit of Maine/American pride and heritage, and history in choosing a piece of Maine tourmaline jewelry.
About the Trade Wind Collection:
Where does inspiration come from? Where do the creative sparks for design begin? For Cross’ new Trade Wind Jewelry Collection, we find ourselves drawn into the story of Captain John Henry Drew, from Gardiner, Maine. Born in 1834, he grew up the son of a Ship’s Carver, and went to sea at the age of 15, eventually becoming Captain of a series of clipper ships, and traveling from New York to China and back home, when that voyage took more than seventeen months.
Instead of carving or knotting or other hobbies that were characteristic of sailors, this mostly self-educated man read books, memorized details from newspapers, and wrote about his journey—his literal and his inner journey. His hand-written and personally illustrated journals tell us of his longing for Maine, for his family, and for “making something of himself”. He is very much like you and me, and it makes his story that much more compelling. He savors apples from home, as tasting better than apples from anywhere else. He imagines the scene he might see looking in the window at home, where his family sits, and he chastises himself for not getting more done at home when he was there.
The jewelry in our Trade Wind Collection is made by his great-great-great grandson, Keith. This young man went to sea as well, at age 18. As part of his service to the US Navy, his travels took him to many of the same places his great-great-great grandfather’s clipper ships visited. Keith also had a hobby unconventional for sailors— he had a fascination for gems and he studied gemology. He studied so that when his service was completed, he could become a jeweler. As Keith traveled the world, he collected exquisite gems, and after leaving the service and returning home, he mastered the art of fine jewelry making.
It is now decades later. We met Keith for the first time in March, 2014. We were impressed with his jewelry, and as we talked further, discovered he had a clipper ship sea captain ancestor and became intrigued with the parallels of his journey in life with that of his sea captain forebear.
The parallels in the two stories are expressed in the jewelry itself—the exotic colors, the flow of the designs, the attention to detail which is something passed down in this family—whether it is to protect the ship, its cargo and its crew, or to create a design that will last and protect its valuable gems, giving the wearer the same pleasure we experience when a ship at full sail goes by. You can’t help but stop and exclaim, “Isn’t that beautiful?”
We were hooked by this story, and by the jewelry. We think you will be too. In fact, we’re posting pages from Captain Drew’s journals from the Voyage of the Franklin in 1868. Take a few minutes to join in the journey, and think of those you love most, and rejoice if they are right there with you.
Read the Captain’s Journal Entries
Keith’s Gem Expedition Dispatches